![]() ![]() Best Practices: Working with Productions.How clips work across projects in a Production.Use Frame.io with Premiere Pro and After Effects.Collaboration: Frame.io, Productions, and Team Projects.Exporting projects for other applications.Exporting for the Web and mobile devices.Using HSL Secondary controls in the Lumetri Color panel.Adjust color using RGB and Hue Saturation Curves.Get creative with color using Lumetri looks. ![]() Overview: Color workflows in Premiere Pro.Compositing, alpha channels, and adjusting clip opacity.Viewing and adjusting effects and keyframes.Use Motion effect to edit and animate clips.Adding, navigating, and setting keyframes.Upgrade Legacy titles to Source Graphics.Retiring the Legacy Titler in Premiere Pro | FAQ.Best Practices: Faster graphics workflows.Use data-driven Motion Graphics templates.Replace images or videos in Motion Graphics templates.Install and use Motion Graphics templates.Add Responsive Design features to your graphics.Change the appearance of text and shapes.Overview of the Essential Graphics panel.Automatically reframe video for different social media channels.Overview of video effects and transitions.Set up and use Head Mounted Display for immersive video in Premiere Pro.Measure audio using the Loudness Radar effect.Advanced Audio - Submixes, downmixing, and routing.Monitor clip volume and pan using Audio Clip Mixer.Edit, repair, and improve audio using Essential Sound panel.Synchronizing audio and video with Merge Clips.Edit from sequences loaded into the Source Monitor.Find, select, and group clips in a sequence.Importing XML project files from Final Cut Pro 7 and Final Cut Pro X.Importing AAF project files from Avid Media Composer.Setting up your system for HD, DV, or HDV capture.Use Premiere Pro in a dual-monitor setup.FAQ | Import and export in Premiere Pro.Best Practices: Create your own project templates.Open and edit Premiere Rush projects in Premiere Pro.Backward compatibility of Premiere Pro projects.GPU Accelerated Rendering & Hardware Encoding/Decoding.Hardware and operating system requirements.With all of the negative attention surrounding the application, smaller improvements (like these) seem to have been largely overlooked. Click on the keyframe to grab it and then drag up or down to increase or decrease the volume.Īmong a number of audio improvements in FCPX, these two succeed in making your edits faster and more productive.Manually add a keyframe by clicking on the levels bar while holding down OPTION.However, In FCPX you can click the audio levels bar to add keyframes AND pull the levels up or down –all while playback continues! In FCP 7 and earlier versions adding keyframes in the timeline would stop playback. Manually Adding Keyframes During PlaybackĪnother Final Cut Pro X audio improvement is the ability to add and adjust audio keyframes during playback. This is one feature that I will be using constantly, a nice addition to FCPX. This feature is perfect when you are mixing interview footage and action/b-roll shots with a music bed underneath…quickly drop down the music below the interviews. You can drag the keyframes forward or backward in the timeline to adjust the speed of the fade.FCPX will automate keyframes to fade the audio at the start and end of the range. Using the mouse, grab the black bar running through the audio and drag it up or down to the desired audio level.FCPX has now drawn a yellow box around this “range.” Drag the mouse across the clip until you get to the spot where you would like the fade to end. With R held down, click in the spot on the audio where you would like the fade to start. Now, let’s use the Range Selection tool to pick a section of the audio to adjust.Navigate to the spot in your timeline where you would like to dip the audio level up or down.Although you can manually place your own audio keyframes in a timeline, FCPX also gives you the option to automate some of this process. Let’s dig in a bit further and examine how to bring audio up or down within a sound or dialogue track. In our FCPX Audio Tutorial Part 2 we explored improvements to fading audio in and out on the FCPX timeline.specifically at the start and end of audio clips. Automated Keyframes with the Range Selection Tool Final Cut Pro X also allows you to manually keyframe audio during playback in the timeline…great for doing quick sound mixes. In this third part of our series on working with audio in Final Cut Pro X, we’ll take a look at how the range selection tool automates the placement of keyframes in FCPX. ![]()
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